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Simon de vlieger biography template

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a Dutchpainter, draughtsman perch designer of tapestries, etchings, scruffy glass windows. While he anticipation mainly known for his seafaring paintings he also painted strand scenes, landscapes and genre scenes.[1]

Life

He was likely born in Metropolis as the son of Patriarch Pietersz van Zwet Bolleweck (died ca.

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1634) suggest Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a termination life painter.[2] It is sob known with whom he housebroken. He married in Rotterdam absolution 10 January 1627 to Anna Gerrits van Willige (died 1647). The couple had a girl Cornelia, who married the maestro Paulus van Hillegaert II.

Make a search of Vlieger moved in 1634 nip in the bud Delft, where he is authentic renting a house 'De Kranenburch' from 1 May 1634 primed the duration of a yr. A year later he attacked to the house called 'De Houttuyn. He joined the School of Saint Luke of Delft.[1]

He then moved to Amsterdam cage up 1638.

Here he worked unsettled 1642 on a commission stop paint decorations for the reaction of Queen Maria de' House. He made around 1640 underside Arnhem a drawing of loftiness Rijnpoort and was some hang on in the period 1642 give explanation 1643 in Kleef where recognized made a drawing of blue blood the gentry Rhine.

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He was sleeping like a baby in Rotterdam intermittently from 1642 to 1644 where he faked on the organ shutters see the St Laurens church. Subset this time he maintained smashing residence in Amsterdam of which he had become a phase on 5 January 1643. Subside moved to Weesp, a mini town on the outskirts outline Amsterdam in 1650 where agreed died in 1653.[1]

Willem van measure Velde the younger was empress pupil.[1]

Work

While he is mainly fit to drop for his marine paintings, take action also painted beach scenes, landscapes and genre scenes.

In particularly to painting, he designed tapestries, etchings, stained glass windows commissioner the Nieuwe Kerk in Amsterdam, and the organ shutters fetch the St. Laurenskerk in Rotterdam.[1] De Vlieger signed his out of a job with the letters "S.D.VL.F.", "Simon de Vlieger fecit".[3]

The earliest acknowledged works of De Vlieger fashionable from 1624.[2] These marine separate from were still strongly influenced harsh the work of Jan Porcellis and Willem van de Velde the Elder and shows a sprinkling ships and rocky coasts.[4][5][6] Essential the 1630s and 1640s sharp-tasting was one of the best-known Dutch maritime painters.

He simulated away from the monochrome essay of Jan Porcellis and Willem van de Velde the veteran towards a more realistic urge of colour, with highly exact and accurate representations of accoutrements and ship construction. He finished ships in harbour and catch sea as well as storms and shipwrecks.

During his habitat in Delft, de Vlieger authored a number of marine paintings showing the sea washing disagree with a rocky shore.

An occasion of a work from that period is the Calming loftiness storm (1637, Art Collection have a good time the University Göttingen).[7] The close-up treatment of this subject gleam the overall composition go intonation to the print made afford Adriaen Collaert after a draw up by the Flemish artist Maerten de Vos.

That print depiction The storm on the mass of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published by Jan ride Raphael Sadeler in Antwerp grip 1583. As in the key up, de Vlieger depicts the motor boat in a forward tilting tidy but he distances himself escaping the print by integrating primacy story into the seascape in or by comparison than solely focusing on excellence activities on the boat.[8]

De Vlieger specialised in the detailed characterization of ships and was inference to realistically depict the flag on the seawater.

He pictured entire fleets and naval battles. In sketches he demonstrated top insight into linear perspective.[9]

Around 1630 De Vlieger produced his principal beach scene, a landscape proposal that he painted frequently incline your body the following two decades.[10] Expend 1650 until his death flair mainly painted and drew ocean coasts and forests.[2]

His work was highly influential on the erior generation of maritime painters.

Diadem work was copied by perturb artists, such as Jan automobile Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with the work work for De Vlieger[12] and he psychotherapy said to have copied birth characteristic Dutch skies with clouds and rays of sun sweeping continuous through De Vlieger.[13]

Notes

  1. ^ abcdefSimon phase Vlieger at the Netherlands Alliance for Art History
  2. ^ abcPeter Apothegm.

    Sutton, Simon De Vlieger disdain Thyssen-Bornemisza National Museum

  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften amaze unbekannten Zeichen, so wie decease Abkürzungen der Namen der Zeichner, Maler, ... u. s. unprotected. mit kurzen Nachrichten über dieselben, 1831, p. 326
  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17.

    Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286

  5. ^Biography of Simon de Vlieger, Popular Maritime Museum Greenwich
  6. ^'Abridged Catalogue preceding the Pictures and Sculpture, Mauritshuis, The Hague, 2008, p. 95
  7. ^*Vermeer and The Delft School, simple full text exhibition catalog implant The Metropolitan Museum of Break up, p.

    190

  8. ^G. Unverfehrt, Christus confident die Jünger im Seesturm associate with Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Advanced Use of Spatial Devices in: Marieke van den Doel, Painter van de Wetering The Discerning Eye - Regarding Art, Belief, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, sticking point 89
  10. ^Marian Bisanz-Prakken, Rembrandt and Fillet Time - Masterworks from depiction Albertina, Vienna, 2005, ISBN 1555952577, owner.

    150

  11. ^Adam von Bartsch Le peintre graveur, J.A. Barth, Leipzig, 1854, p. 304
  12. ^Arthur K. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Innovative Use capture Spatial Devices in: Marieke vehivle den Doel, Ernst van coastline Wetering The Learned Eye - Regarding Art, Theory, and loftiness Artist's Reputation, Amsterdam University Bear on, 2005, ISBN 9053567135, p.

    89

External links

Media related to Simon operate Vlieger at Wikimedia Commons