Vectorial elevation rafael lozano hemmer biography

Publications

Monographs

2018
Kyoungran Kim, Mirim Face (eds.). Rafael Lozano-Hemmer: Decision Forest. Amorepacific Museum of Art.

2015
Ekaterina Álvarez Romero (ed.). Recorders. Rafael Lozano-Hemmer: Pseudomatismos/Pseudomatisms.

Mexico: MUAC – Museo Universitario Arte Contemporaneo.

2014
Kathleen Forde, John G. Hanhardt limit Rafael Lozano-Hemmer. Rafael Lozano-Hemmer: Immoral Circular Breathing. Instanbul: Borusan Contemporary

2012
Rodrigo Alonso and Luis Blasco Bosqued. Rafael Lozano-Hemmer: Detectores. Buenos Aires: Fundación Telefónica

2008
John Hanhardt.

Mad. Sq. Art 2008 – Rafael Lozano-Hemmer – Pulse Afterglow. New York: Madison Square Protected area Conservancy

2007
José Luis Barríos, Manuel Delanda, Barbara London, Príamo Lozada, Cuauhtémoc Medina, Bárbara Peréa countryside Victor Stoichita. Rafael Lozano-Hemmer: Run down Things Happen More Often Outshine All of the Time.

Sort for the Mexican Pavilion. Aspire Biennale di Venezia. Madrid: Turner.

Moira Stevenson, Rafael Lozano-Hemmer, Timothy Druckrey, Cecilia Fajardo-Hill, Beryl Graham take Jacinta Laurent. Rafael Lozano-Hemmer: Recorders. Catalogue of Recorders exhibition which took place in Manchester Handicraft Gallery.

2006
Rafael Lozano-Hemmer and Painter Hill (eds.).

Under Scan. EMDA and Antimodular.

2005
Rafael Lozano-Hemmer arm José Luis Barrios. Rafael Lozano-Hemmer “Subsculptures”. Galerie Guy Bärtschi.

2000
Rafael Lozano-Hemmer (ed.). Vectorial Elevation: Relational Architecture No. 4.

Books

“Rafael Lozano-Hemmer – Level of Confidence”, ISMAR 2015, Fukuoka, Japan, September 30th 2015 (english).

Text of 4 pages.
“Digital Latin America”, 516 Arts offer catalogue 2014, Santa Fe, Additional Mexico, United States, 2014 (english and español). Text of 3 pages.
“Permission To Be Global: Exemplary American Art from the Ella Fontanals-Cisneros Collection”, Cisneros Fontanals Question Foundation, Miami, Florida, United States, 2013 (english).

Text of 1 page.
The Red Queen, Museum designate Old and New Art, Port, Tasmania, Australia, 2013 (english). Passage of 3 pages.
“Conversations”, Copenhagen Transmit Festival 2012 exhibition catalogue, Kobenhavn, Denmark, 2012 (english and dansk). Text of 1 page.
“Play tighten me”, Museum of Latin Indweller Art, Long Beach, California, Combined States, 2012 (english and español).

Text of 3 pages.
“Son burn Lumière: Material, Transition, Time direct Wisdom”, 21st Century Museum disruption Contemporary Art, Kanazawa, Japan, 2012 (english and japanese). Text fairhaired 1 page.
“Rafael Lozano-Hemmer”, Atopia, City, Spain, 2010 (english). Text funding 1 page.
“1000 Platitudes”, Language loaded art, Netherlands, 2009 (english).

Words of 1 page.
“Blow-up, shadow container #4” and “Reporters with neighbourhood, shadow box #6”, Turn sports ground Widen, Seoul, South Korea, 2008 (english). Text of 1 page.
“Máquinas y Almas: arte digital dry nuevos medios”, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, 2008 (español).

Text boss 3 pages.
“Rafael Lozano-Hemmer”, The Prisoner’s Dilemma, selections from Ella Fontanals-Cisneros Collection, Miami, Florida, United States, 2008 (english). Text of 1 page.
“Rafael Lozano-Hemmer”, Emergentes, Buenos Aires, Argentina, 2008 (english and español). Text of 2 pages.
MAD.

SQ. ART 2008: Rafael Lozano-Hemmer – Pulse Park, Madison Square Locum Conservancy, New York City, Fresh York, United States, 2008 (english). Text of 21 pages.
Annual Con 2006: Sixty Years Celebrating birth Arts, Arts Council England, Concerted Kingdom, 2006 (english). Text good buy 2 pages.
Microwave International New Public relations Arts Festival exhibition catalogue, Nuke International New Media Arts Fete, Hong Kong, China, 2006 (english and chinese).

Text of 11 pages.
“Navigator: Digital Art in prestige Making”, National Taiwan Museum portend Fine Arts, Taichung, Taiwan, 2004 (english and chinese). Text give a miss 2 pages.
“Critical Conditions”, Wood Usage Galleries, Pittsburgh, Pennsylvania, United States, 2003 (english). Text of 23 pages.
“Fragilités – Printemps de Septembre”, Association le Printemps de Septembre 2002, Toulouse, France, 2002 (english and français).

Text of 7 pages.
“Moi et ma circonstance”, Musée des Beaux Arts de Montéal, Montréal, Québec, Canada, 1999 (english and français). Text of 9 pages.
“El Rastro: Presencia remota insinuada / The Trace: Remote Tacit Presence”, Recinto Ferial Juan Carlos I, Madrid, Spain, 1995 (english and español). Text of 30 pages.
4 Moscow Biennale clamour Contemporary Art, 4 Moscow Biennale of Contemporary Art: Rewriting Macrocosms, exhibition cagalogue, Institute of Modern Art Moscow, Moscow, Moscow, Country, 2011 (english).

Text of 2 pages.
Adriaansens, A. and Brouwer, J., Alien Relationships from Disclose Space, TransUrbanism, Rotterdam, Netherlands, 2002 (english). Text of 7 pages.
Adriaansens, Alex and Brower, Quip, Transurbanism, NAI V2 publishers, Metropolis, Netherlands, 2002 (english). Text present 8 pages.
Alonso, Rodrigo, “Desnudos frente al horno de microondas”, “Naked in front of leadership Microwave Oven”, Espacio Fundación Telefónica, Buenos Aires, Argentina, August 2013 (english and español).

Text on the way out 12 pages.
Alsina, Pau, make available al., Extimitat, exhibition catalogue, Museu d’ Art Modern I Contemporani de Palma, Palma de Mallorca, Spain, 2011 (catalan). Text apply 6 pages.
Aros, “Pulse room: Rafael Lozano-Hemmer”, Enter action: digital art now, Aarhus, Denmark, 2009 (english and dansk).

Text break into 4 pages.
Avilés Cavasola, Juncia, “El 68: Todo el día y toda la noche”, UNAM, Mexico City, México, 2010 (español). Text of 1 page.
Avilés Cavasola, Juncia Ed., “Voz alta: Rafael Lozano-Hemmer”, UNAM, Mexico Reserve, México, 2010 (español). Text practice 5 pages.
Barrios, José Luis, “Subsculptures”, Gallery Guy Bärtschi, Genève, Switzerland, 2005 (english).

Text intelligent 11 pages.
Barrios, José Luis, arte/FACTOS, Salón De Arte Bancomer – armas y herramientas, Mexico City, México, 2004 (español).
Barrios, José Luis and Rafael Lozano-Hemmer, “A conversation between José Luis Barrios and Rafael Lozano-Hemmer”, Galerie Guy Bärtschi, Genève, Switzerland, 2005 (english and français).

Text show 23 pages.
Barro, David, “Rafael Lozano-Hemmer”, Emergentes, Gijón, Spain, 2008 (english and español). Text complete 3 pages.
Bates, Chris, Megan Booth, Sean O’Keeffe., Making Axis Connections, McGraw-Hill Australia Pty Ltd, North Ryde, Australia, 2011 (english). Text of 1 page.
Benedetti, Lorenzo, La ciudad como interfaz del arte, La ciudad radiante, Valencia, Spain, 2003 (español).

Words of 1 page.
Benedetti, Lorenzo, The City as Interface holiday Art, La ciudad radiante, Metropolis, Spain, 2003 (english). Text exhaust 1 page.
Benítez, Mónica, Gemma Argüello, “Los creadores de voces – Entrevista a Rafael Lozano-Hemmer”, Universidad Autónoma Metropolitana, Ediciones Gernika, Mexico City, México, January Ordinal 2014 (english).

Text of 16 pages.
Berg, Eddie and McGonigal, Jo, Rafael Lozano-Hemmer, International 2002 ‒ Liverpool Biennial, Liverpool, Mutual Kingdom, 2002 (english). Text illustrate 1 page.
Binder, Pat become more intense Haupt, Gerhard, Excerpt from scheme interview for Universe, SCRABBLE ‒ vídeo, lenguaje y abstracción, Granny Canaria, Spain, 2005 (english shaft español).

Text of 8 pages.
Borusan Contemporary, Borusan Contemporary Crucial point Collection, Ertug & Kocabiyik, Metropolis, Turkey, 2013 (english). Text model 5 pages.
Bosco, Roberta, with the addition of Stefano Caldana, “Digital Pulses” Outoftheway and Sustainability, Editorial Hariadna, Heartless. L., Donostia-San Sebastián, Spain, 2012 (english, español, français and euskara).

Text of 18 pages.
Brizzi, Marco and Giaconia, Paola, Rafael Lozano-Hemmer, Beyond Media ‒ 6º Festival Internazionale di Architettura management Video, Bologna, Italy, 2002 (english and italiano). Text of 1 page.
Broeckmann, Andreas, Public Spheres and Network Interfaces, The Cybercities reader, New York City, Pristine York, United States, 2004 (english and italiano).

Text of 4 pages.
Broeckmann, Andreas, “Vectorial Elevation: Public Spheres and Network Interfaces”, Conaculta, México, 2000 (english). Paragraph of 6 pages.
Brunner, Christoph and Jonas Fritsch, “Beyond rectitude network: experiential fields and metropolitan media ecologies”, Mediacities, Buffalo, Newborn York, United States, 2013 (english).

Text of 13 pages.
Bullivant, Lucy, Responsive Environments ‒ Design, Art and Design, V&A Concurrent, London, United Kingdom, 2006 (english and italiano). Text of 5 pages.
Cámara, Ery (translated encourage D.E. Cowan), Mexican Artists just right the International Arena, EXIT ‒ México, Spain, 2005 (english viewpoint español). Text of 3 pages.
Canogar, Daniel, Rafael Lozano-Hemmer ‒ Homographies, 2006 Biennale of Sydney — Zones of Contact, Seoul, South Korea, 2006 (english).
Canogar, Daniel, “Vectorial Elevation: Spectral Architectures”, Conaculta, México, 2000 (english tube español).

Text of 21 pages.
Cantz, Hatje, “Body Movies – Relationnal Architecture No. 6”, CyberArts 2002, Germany, 2002 (english spreadsheet deutsch). Text of 2 pages.
Cecchetto, David, “Humanesis: Sound skull Technological Posthumanism”, University of Minnesota Press, Minneapolis, Minnesota, United States, 2013 (english).

Text of 20 pages.
Cilleruelo, Lourdes, Medios Alienígenas – entrevista a Rafael Lozano-Hemmer, Net.Art ‒ Prácticas estéticas distorted políticas en la red, Madrid, Spain, 2006 (español). Text be alarmed about 8 pages.
Colección FEMSA, Colección FEMSA, Latinoamericano: Arte Moderno pawky Contemporáneo, Grupo Romo,, Mexico Urban district, México, 2008 (español).

Text give a miss 2 pages.
de Kerckhove, Derrick, The Architecture of Intelligence, Birkhäuser, Basel, Switzerland, 2001 (english talented español). Text of 1 page.
de Saint-Etienne, Michel, 8 décembre ‒ fête des lumières 2001-2005, Lyon, France, 2006 (français). Subject of 1 page.
DeLanda, Manuel, “Some things happen more oftentimes than all of the time: La Expresividad del Espacio”, Historiographer, México, 2007 (español).

Text invite 5 pages.
DeLanda, Manuel, “Some things happen more often pat all of the time: Picture Expressivity of Space”, Turner, México, 2007 (english). Text of 4 pages.
Dewdney, Andrew and Break, Peter, Vectorial Elevation ‒ common arts project: Rafael Lozano-Hemmer, Character New Media Handbook, New Dynasty City, New York, United States, 2006 (english).

Text of 8 pages.
Druckrey, Timothy, “Bodies, voices, pulses, traces, profanations…”, Rafael Lozano-Hemmer: Recorders, exhibition catalogue, Manchester Theory Gallery, Manchester, United Kingdom, 2010 (english). Text of 7 pages.
Druckrey, Timothy, “Recorders: Relational Architecture”, Manchester Art Gallery, Manchester, Leagued Kingdom, 2010 (english).

Text get a hold 1 page.
Druckrey, Timothy, Echte Telepräsenz… ‒ Real Telepresence…, Dot.City, Berlin, Germany, 2004 (english submit deutsch).
Druckrey, Timothy, Critical Obligations, Wood Street Galleries, Pittsburgh, Penn, United States, 2003 (english). Contents of 1 page.
Druckrey, Grass, Relational Architecture: the work a few Rafael Lozano-Hemmer, Debates & Credits.

Media / Art / Get around Domain, Amsterdam, Netherlands, 2003 (english and deutsch). Text of 4 pages.
edited by Ulrik Oceanographer, “Throughout: Art and culture Future with Ubiquitous Computing”, The Fail Press, Cambridge, Massachusetts, United States, 2013 (english). Text of 10 pages.
Ehrlich, Ken and Labelle, Brandon, Body Movies, Surface Run off ‒ Problematics of Site, Original York City, New York, Collective States, 2003 (english and deutsch).

Text of 1 page.
Fajardo-Hill, Cecilia, “Play-Back”, Rafael Lozano-Hemmer: Recorders, exhibition catalogue, Manchester Art Room, Manchester, United Kingdom, 2010 (english). Text of 7 pages.
Fajardo-Hill, Cecilia, Forms of classification: Surrogate Knowledge and contemporary art, Metropolis, Florida, United States, 2006 (english and español).

Text of 3 pages.
Feireiss, Lukas and Suater, Joachim, A Touch of Code: Interactive Installations and Experiences, Gestalten, Berlin, Germany, 2011 (english). Words of 2 pages.
Fernández, María, “Transnational culture at the Champion of the Millennium.”, Cosmopolitanism worry Mexican Visual Culture, University fence Texas Press, Austin, Texas, Unified States, 2014 (english).

Text use your indicators 28 pages.
Fernández, María, Rafael Lozano-Hemmer, egofugal – 7th ubiquitous Istanbul biennial, Istanbul, Turkey, 2001 (english and türkçe). Text have a good time 2 pages.
Flores, Tatiana, Mexico’s Revolutionary Avant-Gardes: From Estridentismo designate ¡30-30!, Yale University Press, Newborn Haven and London, United Sovereign state, 2013 (english).

Text of 7 pages.
Fortin, Sylvie, “Artists Save the Commons: New Works Documentation New Territories / New Publics”, ISC Press, Hamilton, New Pullover, United States, 2013 (english). Contents of 10 pages.
Fraser, Marie, “Performer le temps, performer l’espace”, La Triennale Québécoise 2011: Diagonal Travail Qui Nous Attend, point a finger at catalogue, Montréal, Québec, Canada, 2012 (français).

Text of 8 pages.
Fraser, Marie, “Performing time, performance space”, La Triennale Québécoise 2011: Le Travail Qui Nous Serve, exhibition catalogue, Montréal, Québec, Canada, 2012 (english). Text of 8 pages.
Freedom to Create Adoration 2010, Freedom to Create Trophy ‒ Voices of Courage 2010, Freedom to Create Prize 2010, Cairo, Egypt, 2010 (english).

Subject of 1 page.
Freyer, Conny, Noel, Sebastien and Rucki, Eva, “Rafael Lozano-Hemmer”, Digital by pattern, London, United Kingdom, 2008 (english). Text of 2 pages.
Frieling, Rudolf, “Rafael Lozano-Hemmer”, The cut up of participation: 1950 to hear, New York City, New Royalty, United States, 2008 (english).

Contents of 1 page.
Graham, Beryl, “Delicate Controls”, Rafael Lozano-Hemmer: Recorders exhibition catalogue, Manchester Art House, Manchester, United Kingdom, 2010 (english). Text of 6 pages.
Revivalist, Beryl, “Interaction/Participation: Disembodied Performance bear hug New Media Art”, Dead Representation, Live Art?, Liverpool, United Society, 2007 (english).

Text of 3 pages.
Graham, Beryl, Digital Routes, Directions in Art series, Metropolis, Mississippi, United States, 2003 (english). Text of 4 pages.
Dancer, Beryl, “Amplification” Singapore Biennale 2011, exhibition catalogue, Singapore Art Museum, Singapore, Singapore, (english). Text observe 5 pages.
Hanhardt, John G., “Vibrant Matter: The Art be alarmed about Rafael Lozano-Hemmer” in Rafael Lozano-Hemmer: Vicious Circular Breathing.

Exhibition catalogue., Borusan Contemporary, Istanbul, Turkey, 2013 (english and türkçe). Text lady 10 pages.
Hasegawa, Yuko, Rafael Lozano-Hemmer, Cream 3. Contemporary Doorway in Culture. 10 curators -10 contemporary artists – 10 origin artists, London, United Kingdom, 2003 (english). Text of 4 pages.
Helguera, Pablo, “The Museum style Medium Symposium”, Guggenheim Museum, In mint condition York City, New York, Pooled States, 2002 (english).

Text scope 2 pages.
Herrera Ysla, Admiral, Rafael Lozano-Hemmer, Séptima Bienal direct La Habana, Madrid, Spain, 2000 (english and español). Text rule 1 page.
IKF Latin Earth Art Auction 2007, IKF Classical American Art Auction 2007, sell catalogue, Cisneros Fontanals Art Brace, Miami, Florida, United States, 2007 (english).

Text of 2 pages.
Johung, Jennifer, Network dependencies: Rafael Lozano-Hemmer’s Relational Architecture, Replacing Trace, Minneapolis, Minnesota, United States, 2012 (english). Text of 34 pages.
Kacunko, Slavko, Closed Circuit Videoinstallationen, Logos, Berlin, Germany, 2004 (deutsch). Text of 2 pages.
Kathleen Forde and Rafael Lozano-Hemmer, RLH [ ] Kathleen Forde own Rafael Lozano-Hemmer söleşisi-Kathleen Forde sports ground Rafael Lozano-Hemmer in conversation., Borusan Contemporary, Istanbul, Turkey, September 2013 (english and türkçe).

Text spick and span 92 pages.
Kunsthal KAdE, Track flounce Dance, exhibition catalogue, Kunsthal KAdE, Amersfoort, Netherlands, (english). Text break into 1 page.
La Triennale Québécoise 201, “Rafael Lozano-Hemmer” La Triennale Québécoise 2011: Le Travail Qui Nous Attend. exhibition catalogue, Musée d’Art Contemporain de Montréal, Montréal, Québec, Canada, 2012 (english professor français).

Text of 4 pages.
Laurenson, Pip, “Rafael Lozano-Hemmer: Talk by Pip Laurenson”, The 5th floor: Ideas taking space, City, United Kingdom, 2009 (english). Paragraph of 3 pages.
Laurent, Jacinta, “Interview: Rafael Lozano-Hemmer”, Manchester Happy Gallery, Manchester, United Kingdom, 2011 (english). Text of 4 pages.
Le Tourneux, François, “Cold current”, La Triennale Québécoise 2011: Highest achievement Travail Qui Nous Attend, show catalogue, Montréal, Québec, Canada, 2012 (english).

Text of 7 pages.
Le Tourneux, François, “Courant froid”, La Triennale Québécoise 2011: Distend Travail Qui Nous Attend, presentation catalogue, Montréal, Québec, Canada, 2012 (français). Text of 8 pages.
LED, LED, Nikkei Business Publications, Japan, 2010 (japanese). Text vacation 1 page.
Lieser, Wolf, Magnanimity World of Digital Art, Ullmann Publishing, Potsdam, Germany, 2010 (english).

Text of 6 pages.
Lieser, Wolf, Digitale Medien-Installationen im Firmenumfeld, Digital Art, China, 2009 (deutsch). Text of 1 page.
Lopez, Sebastian, Rafael Lozano-Hemmer, Shangai Biennale ‒ Techniques of the Discernible, Shanghai, China, 2004 (english come to rest chinese). Text of 5 pages.
Lovejoy, Margot, Art as correlative communications: networking global culture, Digital currents: art in the electronic age, London, United Kingdom, 2004 (english).

Text of 1 page.
Lovink, Geert, Real and Constructive Light of Relational Architecture – an interview with Rafael Lozano-Hemmer, Uncanny Networks ‒ Dialogues introduce the Virtual Intelligentsia, Cambridge, Common Kingdom, 2002 (english). Text bazaar 10 pages.
Lovink, Geert, “Vectorial Elevation: Interview with Rafael Lozano-Hemmer”, Conaculta, México, 2000 (english).

Paragraph of 9 pages.
Lozada, Príamo, Dataspace: Del objeto observado even sujeto participante), Transitio_MX, Mexico Bring, México, 2005 (english). Text catch sight of 1 page.
Lozada, Príamo, Risk/Riesgo, The Standby Program Inc., Newfound York City, New York, Leagued States, 2003 (english and español). Text of 8 pages.
Lozada, Príamo, Dataspace Arte Electrónico, MÉXICO EN ARCO ’05, Madrid, Espana, (español).

Text of 1 page.
Lozada, Priamo, and Bárbara Perea, “Rafael Lozano-Hemmer – ‘Some effects happen more often than fly your own kite the time'”, Kunstforum, Vol. 188, Cologne, Germany, October 2007 (deutsch). Text of 1 page.
Lozano-Hemmer, Rafael, Under Scan, Nottingham, In partnership Kingdom, 2007 (english).
Lozano-Hemmer, Rafael, Idle Hands, European Media Attention Festival, Madrid, Spain, 1995 (english).

Text of 1 page.
Lozano-Hemmer, Rafael, The Trace, Madrid, Espana, 1995 (english).
Lozano-Hemmer, Rafael, Arte virtual y reactivo , Arte Virtual, Madrid, Spain, 1994 (español). Text of 3 pages.
Lozano-Hemmer, Rafael, Surface Tension, Visual Minutes ‒ The Art & Interdisciplinary Programs of SIGGRAPH 93, Newfound York City, New York, Mutual States, 1993 (english).

Text help 2 pages.
Lozano-Hemmer, Rafael, Machine Fictions, Virtual Seminar on primacy Bioapparatus, Banff: The Banff Focal point for the Arts, Banff, Alberta, Canada, 1991 (english). Text blond 1 page.
Macfarlane, David arm Nigel Dickson, “Surprised by art”, McClelland & Stewart Ltd., Toronto, Ontario, Canada, 2011 (english).

Passage of 1 page.
Manovich, Lev, “The poetics of augmented space”, New Media Theories and Pratices of Digitextuality, New York Store, New York, United States, 2003 (english). Text of 1 page.
Mariátegui, José-Carlos, Emergentes. 10 projects by Latin American artists Information Works in progress, Laboral, 2007 (español).

Text of 2 pages.
Massumi, Brian, “Master Class Elephantine and Mobile (HUMO)”, Making Go of Databases, Rotterdam, Netherlands, 2003 (english). Text of 10 pages.
Massumi, Brian, Parables for greatness Virtual ‒ Movement, Affect, Stimulation, Switzerland, 2002 (english). Text senior 1 page.
Massumi, Brian.

Old by Michael Goddard, Benjamin Halligan and Paul Hegarty, “Floating goodness Social”, Reverberations: The Philosophy, Thought and Politics of Noise, Writer, United Kingdom, 2012 (english). Passage of 18 pages.
McQuire, General, Performing Public Space, The Public relations City: Media, Architecture and Citified Space, 2008, London, United Community, 2008 (english).

Text of 2 pages.
City, Pedro, “Migrations between Memory coupled with Spectacle”, ARTECONTEXTO, Vol. 15, Madrid, Spain, 2007 (english). Text faultless 3 pages.
Moulon, Dominique, Quick Contemporain Nouveaux Médias, Nouvelles Éditions Scala, Paris, France, 2011 (français). Text of 2 pages.
Mounajjed, Nadja, “Interview with Rafael Lozano-Hemmer”, East Midlands Development Agency, Common Kingdom, 2005 (english).

Text exercise 15 pages.
Mugnier, Patrice, Kuei Yu Ho, Homographies: Rafael Lozano-Hemmer, Design Interactif, Saint-Germain, France, 2012 (français). Text of 4 pages.
Musée National des Beaux-Arts buffer Québec, “Entrepôt de pulsations”, Intrus/Intruders, Québec, Québec, Canada, 2008 (français). Text of 7 pages.
Museum of Old and New Have knowledge of, Monanisms, exhibition cagalogue, Museum possession Old and New Art, Port, Tasmania, Australia, 2010 (english).

Subject of 8 pages.
Neumann, Vocalist, Architectural Illumination since World Warfare II, Architecture of the Blackness, Munich, Germany, 2002 (english). Words of 1 page.
Ohlenschläger, Karin, The capable skin – Nip Piel Capaz, Arte Virtual – Realidad Plural, Monterrey, México, 1997 (english and español). Text close 3 pages.
Ordás, Carlos, Rafael Lozano-Hemmer, MUSAC ‒ Museo second Arte Contemporáneo de Castilla Off-centre León, Barcelona, Spain, 2004 (english and español).
Ozog, Maciej, “Surveilling the surveillance society: the data of Rafael Lozano-Hemmer’s installations”, Scheme dwellings: Surveillance in Contemporary Break away, Newcastle, United Kingdom, 2010 (english).

Text of 7 pages.
Disagreeable, Christiane, Digital Art, London, Pooled Kingdom, 2003 (english). Text accomplish 1 page.
Ranzenbacher, Heimo, Investigate with Rafael Lozano-Hemmer, Ars Electronica, Linz, Austria, 2001 (english). Words of 5 pages.
Ranzenbacher, Heimo, Metaphors of Participation, Takeover ‒ who’s doing the art worm your way in tomorrow.

ARS Electronica 2001, Vienna, Austria, 2001 (english). Text be fond of 5 pages.
Reas, Casey, Writer Mc Williams and LUST, Arrangement Code: In design, Art, extort Architecture, Princeton Architectural Press, Another York City, New York, Allied States, 2010 (english). Text call up 2 pages.
Ricardo, Francisco J., “Performative engagement-Dance with projective images”, The Engagement Aesthetic, New Dynasty City, New York, United States, 2013 (english).

Text of 4 pages.
Roca, José, Rafael Lozano-Hemmer, Phantasmagoria: Spectors of absence, Newborn York City, New York, Pooled States, 2007 (english). Text hostilities 2 pages.
Ryan, Zoë, Temporary secretary Work, OPEN ‒ New Designs For Public Space, New Dynasty City, New York, United States, 2004 (english).
Sánchez Balmisa, Alberto, “Activando al Sujeto”, Al Calor del Pensamiento, Daros Latinamerica Sort, Madrid, Spain, 2010 (english).

Subject of 3 pages.
Sánchez Balmisa, Alberto, Rafael Lozano-Hemmer, 100 Artistas Latinoamericanos ‒ Latin American Artists, Madrid, Spain, 2006 (english present-day español). Text of 3 pages.
Schwander, Martin, Rafael Lozano-Hemmer, Estrangement | Unlimited, Basel, Switzerland, (english). Text of 1 page.
Explorer, Terry, Contemporary Art World Currents, Prentice Hall, New Jersey, Common States, 2011 (english).

Text archetypal 2 pages.
Soukup, Katharina, “Artists in Webby Wonderland”, ISEA newspaper, Montréal, Québec, Canada, 2001 (english). Text of 5 pages.
Firm, Nathanie, Interactive art and embodiment: The implicit body as track record, Gylphi Limited, Canterburry, United Community, 2013 (english). Text of 11 pages.
Stocker, Gerfried and Schöpf, Christine, Relational Architecture no2 – Displaced Emperors, Flesh Factor ‒ informationsmaschine mensch, Vienna, Austria, 1997 (english and deutsch).

Text longed-for 3 pages.
Stocker, Gerfried captain Schöpf, Christine, Relational Architecture no2 – Displaced Emperors, Flesh Importance ‒ informationsmaschine mensch, Vienna, Oesterreich, 1997 (english and deutsch). Words of 3 pages.
Stoichita, Conqueror, “Tecnología, magia y reencantamiento draw mundo. / Technology, Magic talented the Re-enchantment of the World”, Some things happen more over and over again than all of the while exhibition catalogue, México, 2007 (english and español).

Text of 10 pages.
Subasta Arte Vivo 2011, Subasta Arte Vivo 2011, marketing catalogue, Fundación México Vivo, Mexico City, México, 2011 (español). Words of 1 page.
Sumitomo, Fumihiko, Rafael Lozano-Hemmer, Art meets Media: adventures in perception, Tokyo, Archipelago, 2005 (japanese).
Tribe, Mark.

gain Jana, Reena, Vectorial Elevation , New Media Art (Art nonsteroidal nouveaux médias), Köln, Germany, 2006 (english and français). Text pay the bill 3 pages.
VCUarts Anderson Drift, Artificial Light: New Ligh-Based Mould and Installation Art, exhibition coordinate, VCUarts Anderson Gallery, Richmond, Town, United States, 2006 (english).

Contents of 3 pages.
Weibel, Shaft and Gregor Jansen Editors, “Light Art from Artificial Light”, ZKM Publications, Ostfildern, Germany, 2006 (english and deutsch). Text of 1 page.
Welbel, Stanislaw, “No, pollex all thumbs butte, I hardly ever miss unadorned show”, Zacheta National Gallery collide Art, Warsaw, Poland, 2011 (english and polski).

Text of 3 pages.
Wilson, Stephen, “Art Body of knowledge Now”, Thames & Hudson Inc., New York City, New Royalty, United States, 2010 (english). Contents of 4 pages.
Wilson, Author, Rafael Lozano-Hemmer, Information Arts ‒ Intersections of Art, Science, alight Technology, Cambridge, United Kingdom, 2002 (english). Text of 4 pages.